Afra and Tobia Scarpa
Chair model 925 (6 units), 1966
| Original condition |
Freijó, synthetic leather, molded plywood
Freijó, synthetic leather, molded plywood
H 32.09 in. x W 19.1 in. x D 21.86 in. | SH 18.5 in
H 81.5 cm x W 48.5 cm x D 55.5 cm | SH 47 cm
H 81.5 cm x W 48.5 cm x D 55.5 cm | SH 47 cm
BO.ATS.001-001
The chair model 925 was designed by Afra and Tobias Scarpa in 1966 in Italy. This design is part of the Moma permanent collection. The gorgeous chairs call every attention...
The chair model 925 was designed by Afra and Tobias Scarpa in 1966 in Italy. This design is part of the Moma permanent collection.
The gorgeous chairs call every attention with their squared base of Freijo wood, bent plywood arched seats, and backrests with synthetic leather. The parts are fixed on four joined ashwood rectangular feet.
The low chair's inspiration is a sketch made in 1943 by the architect Carlo Scarpa, Tobia's father. The initial idea is to put together a cube with a petal. The elegance of a petal becomes the back of the chair, and the structure is the cube that indicates the object's solidity.
Afra Bianchin (1937-2011) and Tobia Scarpa (1935) began their long collaboration in 1957. Starting in 1960, they collaborated with companies like Gavina, B&B Italia, and Cassina. They developed numerous projects and explored many ways of mixing different materials and shapes.
These unrestored pieces belonged to a Brazilian company called "Salus Associação para a Saúde - Núcleo Paulista", and present a patrimonial metal tag. Wood restoration by our Workshop is included as a courtesy.
The gorgeous chairs call every attention with their squared base of Freijo wood, bent plywood arched seats, and backrests with synthetic leather. The parts are fixed on four joined ashwood rectangular feet.
The low chair's inspiration is a sketch made in 1943 by the architect Carlo Scarpa, Tobia's father. The initial idea is to put together a cube with a petal. The elegance of a petal becomes the back of the chair, and the structure is the cube that indicates the object's solidity.
Afra Bianchin (1937-2011) and Tobia Scarpa (1935) began their long collaboration in 1957. Starting in 1960, they collaborated with companies like Gavina, B&B Italia, and Cassina. They developed numerous projects and explored many ways of mixing different materials and shapes.
These unrestored pieces belonged to a Brazilian company called "Salus Associação para a Saúde - Núcleo Paulista", and present a patrimonial metal tag. Wood restoration by our Workshop is included as a courtesy.