• BIOGRAPHICAL NOTES: GERALDO DE BARROS

    AUGUST 25, 2020

  • Geraldo de Barros (Chavantes, 1923 — São Paulo, 1998) was a Brazilian artist and designer who worked with painting, photography,...

    Geraldo de Barros (Chavantes, 1923 — São Paulo, 1998) was a Brazilian artist and designer who worked with painting, photography, engraving, graphic arts, and industrial design.

  • HE WAS A LEADER OF THE CONCRETE ART MOVEMENT IN BRAZIL.

     

    He stood out as a founder and member of important movements and artistic associations in São Paulo, Grupo Ruptura, Grupo XV, Grupo Rex, and Cine Clube Bandeirantes. De Barros was known for his trailblazing work in experimental abstract photography and modern ideals, developing works that weren’t determined by styles. Instead, they were moved by a significant interest in exploring new ways of creating and experimenting through materials and techniques.

  • At the end of the 1940s, Geraldo paid a visit to the Capela do Cristo Operário, in São Paulo, and...

    Geraldo de Barros in reunion at Unilabor, 1950s

    At the end of the 1940s, Geraldo paid a visit to the Capela do Cristo Operário, in São Paulo, and met Frei João Batista – who administrated the place. Together, they develop a project of a cooperative company to employ neighborhood workers. Thus, in 1954, Unilabor was created. It became a social model where workers participated in the factory management and the creation of a productive system that intended to unify the form and function and the community involved and the processes of production.

     

    For Geraldo de Barros, functional objects meant realizing a world project in which art could be for everyone.

     

    At Unilabor, Geraldo designed structures, frames, and basic elements that should be combined to form different furniture, ensuring the rationalization of production.

  • Workspace Exibhition. Bossa Furniture and Mendes Wood DM, 2020 (Larger version of this image opens in a popup).
    Workspace Exibhition. Bossa Furniture and Mendes Wood DM, 2020 (Larger version of this image opens in a popup).
    Workspace Exibhition. Bossa Furniture and Mendes Wood DM, 2020 (Larger version of this image opens in a popup).

    Workspace Exibhition. Bossa Furniture and Mendes Wood DM, 2020

  • THE PIECES DESIGNED BY DE BARROS USUALLY HAS A LIGHT STRUCTURE IN SOLID ROSEWOOD OR IRON, WHICH BECAME A CHARACTERISTIC OF UNILABOR'S PRODUCTION, WITH FINE SHAPES IN ITS DESIGNS FOR BETTER USE OF ITS MATERIALS. THE FURNITURE WAS COMFORTABLE AND ELEGANT, REFLECTING IN ITS STRUCTURE THE INGENUITY OF THE AUTHOR.

  • DESK
    Unilabor Desk, 1950s (Larger version of this image opens in a popup).
    Unilabor Desk, 1950s (Larger version of this image opens in a popup).
    Unilabor Desk, 1950s (Larger version of this image opens in a popup).
    Unilabor Desk, 1950s (Larger version of this image opens in a popup).
    Unilabor Desk, 1950s (Larger version of this image opens in a popup).
    Unilabor Desk, 1950s (Larger version of this image opens in a popup).

    Unilabor Desk, 1950s

  • Geraldo de Barros designed furniture in such a way that, from the same structure, it was possible to obtain variations of the pieces.

    As other designers and factories of the time, he used modulations to achieve the greater rationalization of the stages and production processes, in addition to increasing production and lowering the costs of the final product. The straight lines, sobriety, and functionality were part of the aesthetics innovations, combining the use of new materials, as the iron and the laminate reinvestment - new material at the time which became one of De Barros' marks.

  • CHAIR
    Chair Unilabor 4015 (Larger version of this image opens in a popup).
    Chair Unilabor 4015 (Larger version of this image opens in a popup).
    Chair Unilabor 4015 (Larger version of this image opens in a popup).
    Chair Unilabor 4015 (Larger version of this image opens in a popup).

    Chair Unilabor 4015

  • In 1964, De Barros went on to found in association with Aloísio Bione, another furniture design company called Hobjeto. 

  • According to The Guardian, De Barros was “one of the most influential Brazilian artists of the 20th century.”

  • BED
    Unilabor Bed, 1950"s (Larger version of this image opens in a popup).
    Unilabor Bed, 1950"s (Larger version of this image opens in a popup).
    Unilabor Bed, 1950"s (Larger version of this image opens in a popup).
    Unilabor Bed, 1950"s (Larger version of this image opens in a popup).

    Unilabor Bed, 1950"s

  • DE BARROS AND THE PHOTOGRAPHY

     

    When Geraldo de Barros bought his first camera, he read the instruction manual and found information about what to do and what not to do to take a good photo. Going against the guidelines, Geraldo decided to try to do what it was indicated not to do.

    Experimentation in photography led him to develop composition processes designed to produce abstract works. The Fotoformas (or ‘Photoforms’) series, made between 1949 and 1952, consists of about 50 experimental photos that mix classic photographic procedures with creative visual experiments.

  • Fotoformas Exhibition, 1951
  • To reach the desired result, De Barros interfered in all stages of the technical process of photography, including exposure, manipulations...

    Fotoforma, 1/15

    To reach the desired result, De Barros interfered in all stages of the technical process of photography, including exposure, manipulations in the darkroom, experiments with the magnifier, interventions, perforations, and the insertion of non-photographic physical elements in the negatives.

    In 1951, the Fotoformas exhibition was held at MASP, shortly after De Barros supervised the installation of a photographic laboratory at the museum. In the exhibition, the photographs were exposed detached from the wall, as three-dimensional objects, authentic “light sculptures,” as the design researcher and lecturer Gabriele Oropallo say in a text about the artist.

  • Texts and photograph content are part of Bossa Furniture’s creative production.
    The historical files belong to Geraldo de Barros' family and can be accessed through this link.